Access Issues in English Folk Singing Styles and Techniques
A Review of The Roundtable Discussion ‘Singing Styles and Techniques in English Folk Singing’
Abstract
This article uses the conversations generated at an Access Folk Folk Singing Symposium event to identify accessibility questions caused by attitudes to vocal choices and habits in English folk singing today. The term accessibility is used to refer to the ease with which a singer can participate in English folk singing. Vocal styles and techniques are not generally understood to be access issues. In most genres, mastering technique is the domain of professional singers. English folk singing is rooted in non-professional community singing, and therefore the accessibility of stylistic vocal information is vital to encouraging participation, as a singer’s vocal choices and habits reinforce social connections to their communities (Diamond, 2011; Potter and Sorrell, 2012). The roundtable’s purpose was not to investigate whether English folk singing styles and techniques were helping or hindering participation but to begin a conversation about the process of folk singing and what experts’ opinions of these processes were, with the intention of identifying key vocal choices and habits commonly found in English folk singing.Authors who publish with this journal agree to the following terms:
Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
PUBLICATION ETHICS AND MALPRACTICE STATEMENT
The International Journal for Traditional Arts is self-published by the Editors. The Editors are committed to upholding the principles of the Committee on Publication Ethics' Code of Conduct for Publishers. Plagiarism, fraudulent publication or any other form of misconduct will not be tolerated. All submissions will be screened for plagiarism before being sent to reviewers. Should unethical behaviour come to the attention of the Editors, an investigation will be initiated, and all appropriate steps will be taken to rectify the situation (including, where necessary, the publication of clarifications, corrections retractions, and/or apologies).